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In The Wire 495, Daniel Spicer reviews five albums that form part of a Strata-East reissue programme that celebrates the rich legacy of the New York label ...
Josh Feola compiles an annotated playlist to accompany his report on the Danish capital’s DIY underground in The Wire 495 ...
Like Mark E Smith and The Fall, David Thomas and Pere Ubu were featured in The Wire early on in the life of the magazine, when it was still primarily concerned with jazz and improvised music. Thomas ...
In the third instalment of his rebooted Secret History of Film Music column, Philip Brophy analyses two horror scores by Gazelle Twin – Black Cab (2024) and Nocturne (2020) – and considers how psychol ...
Following the release of a new LP by the Orchestra Of Futurist Noise Intoners, director Luciano Chessa and Sanatorium Of Sound director Gerard Lebik discuss the legacy of Italian Futurist composer Lui ...
In The Wire 495, Hugh Morris argues that the word jazzy denotes a cluster of cliches that neglects to engage with jazz itself ...
The full chart: Bios Contrast & Nilotpal Das SSAC42 (Infinite Machine) Rex Casswell Blood From A Stone (scatterArchive) Chuquimamani-Condori & Joshua Chuquimia Crampton Los Thuthanaka (Self-released) ...
New album hexed! explores sobriety and neurodiversity through radical tunings and transformed instruments. By Chal Ravens. Inside: Satch Hoyt : The one-time Burnt Sugar member’s Un-Muting project ...
South West Improvisers Group creates spontaneous music with a cast of seasoned players from in and around Bristol including Raph Clarkson, Kay Grant, Rich Hughes, Mark Langford and Luigi Marino. Plus ...
Here you can listen to a mix of the tracks our correspondent Julian Cowley played to Alvin during the interview, which is published in full in The Wire 495. To find out what Alvin said about them, ...
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 494. Inside our brand new issue: Raven Chacon: The Diné/Navajo composer foregrounds unheard and silenced voices in his radical ...
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